Are your pictures coming out too dark? Do shadows in your pictures show details or are they just black shadows? Ever thought much about the dark side of photography?
Pictures that are underexposed are too dark. Pictures that are overexposed are too light. How’s that for covering the basics.
To understand any of this you have to first have to know the basics of exposure and what it means for your pictures and for photography.
When you press the shutter button your camera’s shutter is opened. While the shutter is open your camera’s sensor is exposed to the light coming through your lens.
The impression of light (or lack of light or shades of light) on the sensor creates your photograph. The resulting image is also called an exposure.
Then you have your camera’s exposure settings.
These settings control the amount of light coming through the lens as well as how much light the camera sensor absorbs. You control your exposure settings through your camera ISO, your camera shutter speed and your lens’ aperture settings.
If your pictures are coming out too dark, there are some setting adjustments you can make to your ISO, shutter speed and aperture. Keep in mind, these settings operate much like the three branches of government.
There are checks and balances that you, the photographer, have to consider when adjusting any camera setting. Since you are a superhero photographer, think of ISO, Aperture and Shutter Speed as your superhero sidekicks.
For example, if you increase your ISO you will get more noise in your picture. If you narrow your lens’ aperture (use a higher f/stop) you may lose the beautiful background blur (or bokeh) that makes your subject stand out.
Here’s some quick tips to help you find the right settings to prevent, avoid and altogether stay away from underexposing your pictures.
Your lens’ aperture is like a tube within your lens. (Like a roll of paper towels). When you use a low f/stop (like f/2.8) you are opening your aperture (making the hole bigger).
This lets in more light. It also creates a shallow (or thin) depth of field which produces that beautiful bokeh we talked about.
When you narrow your lens’ aperture you are closing the hole through your lens allowing for less light to come through.
This narrowing of the lens’ aperture gives you a wide (or thicker) depth of field which works well in landscape, macro and architectural photography.
If your pictures are coming out too dark try using a lower f/stop.
Your camera's shutter speed (how fast it opens and closes) determines how your picture is going to look.
When you use a fast shutter speed you can freeze action. Have you ever seen a picture of a baseball player hitting a ball?
A fast shutter speed stops the movement (or action) so that there are no blurs or sweeping movements in your picture. A slow shutter speed will show the action resulting in blurry images.
Your shutter speed controls how much light is allowed to hit the camera sensor based on how long the sensor is exposed to light.
If your pictures are coming out too dark, use a longer shutter speed to let in more light.
But be careful, if you use a shutter speed that is too slow, your own movement can create a blurring effect.
At that point, you may want to consider using a tripod to ensure that your movement doesn’t cause the picture to be blurry.
Your ISO setting gives you a quick and easy way to allow your camera sensor to accept more light when confronted with low light photography. Your ISO setting can also help to control the amount of noise that shows up in your pictures.
When dealing with underexposed images, you can increase your ISO.
This will allow your camera sensor to accept more light helping to reduce underexposed areas within your composition.
But be careful, increasing your ISO is a quick and easy fix for underexposed photography, but it comes at a price.
In order for the camera sensor to accept more light the sensor has to let in more static or noise. Most DSLR’s do a good job of controlling noise with higher ISO settings.
This has been a major area of improvement in digital cameras over the years. And while it may not ever become a problem for you, you should know that higher ISO settings create more noise than lower ISO settings.
The picture above shows how bracketing and HDR photography work.
The top picture on the left is underexposed, the middle picture is ideally exposed for the scene and the picture on the top right is overexposed. I combined all three pictures using Photomatix.
Finally, this is probably the most important tip of all.
Don’t’ shoot in Auto Mode. While this can, at times, be a great photography technique to employ, you are going to get pictures more in line with what you want to see if you shoot in manual.
You are smarter than your camera. Knowing how to control your camera settings is half the fun of photography.
Knowing your way around your settings will also save your butt when Auto has no idea what you are trying to show with your picture.
Here's a smart video from Bryan Peterson that helps to explain proper exposure techniques based on what you are trying to create with your picture.